American Ceramics, 2006 – Kukuli Velarde

Kukuli Velarde’s Plunder Me, Baby

Reviewed by Christopher Michno Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and […]

A Mi Vida

Keynote Speech, Wolf Humanities Center’s 2021-22 Forum on MigrationFebruary 25, 2022

‘Plunder Me, Baby’: One artist’s wild, defiant stand against the oppression of indigenous people

by By LEAH OLLMAN As satire, Kukuli Velarde’s work is both outraged and deliciously outrageous. The Peruvian-born, Philadelphia-based artist co-opts the forms […]

Art News. May 2010

Written by Doug McClemont

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