teaching

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Kukuli Velarde’s Plunder Me, Baby

Reviewed by Christopher Michno Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and it leaves a sickening aftertaste, as it’s meant. Kukuli Velarde’s trenchant and caustically humorous ceramic sculptures fix within their sights the conquest—both cultural and corporeal—of Latin America. This […]