Frank feminism at Taller Puertorriqueño Kukuli Velarde, a Peruvian-born Philadelphia artist, is known primarily for her feminist ceramic reinterpretations of pre-Columbian sculptures. The recipient of a Pew Fellowship and a Guggenheim Fellowship, she is now having her first Philadelphia solo show of paintings, at Taller Puertorriqueno. “The Complicit Eye” features […]
About The Work
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The Artist with Clay and a Message | Kukuli Velarde | Episode 526 Are you merely trying to modernize pre-Columbian work or are you trying to communicate a modern story with it as the jumping off point? I don’t think I am trying neither. I am not the kind of […]
On view through March 16, 2019 The Complicit Eye, Kukuli Velarde’s first major solo show of painting in the US, deconstructs ideals of female beauty from colonization to the local barrio. Velarde dissects the construction and consumption of beauty in Western culture, exposing the connections between beauty and violence. Through painting, […]
Posted on May 23, 2019 by Paul Blais Kukuli Velarde is a Peruvian artist based in the United States since 1987. She has received awards and grants such as the Guggenheim Fellowship (New York- 2015), the Pollock Krasner Foundation grant (New York- 2012), the United States Artists-Knight fellowship (California- 2009), the Pew fellowship […]
by Peter Crimmins One of the paintings in “The Complicit Eye” at Taller Puertorriqueño, a Latino cultural center in North Philadelphia, features a European figure dressed in radiant finery. He is a serene archangel, the kind you see in a lot of medieval art. He is carrying a sword. Below […]
By Deborah KriegerNovember 25, 2018 Deb Krieger takes an early tour of The Complicit Eye, lauded ceramicist Kukuli Velarde’s first major solo show of paintings in Philadelphia. This provocative body of work, on view at Taller Puertorriqueño through April 30, 2019, reveals Velarde’s long-standing use of self-portraiture as a mode of […]
by By LEAH OLLMAN As satire, Kukuli Velarde’s work is both outraged and deliciously outrageous. The Peruvian-born, Philadelphia-based artist co-opts the forms of pre-Columbian ceramics to issue a postcolonial manifesto about identity and integrity. “Plunder Me, Baby,” her show at the American Museum of Ceramic Art in Pomona, is withering […]
Reviewed by Christopher Michno Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and it leaves a sickening aftertaste, as it’s meant. Kukuli Velarde’s trenchant and caustically humorous ceramic sculptures fix within their sights the conquest—both cultural and corporeal—of Latin America. This […]
Peters Projects Thursday, February 9, 2017 at 3:59 PM ESThttps://vimeo.com/203354499 #petersgallery, #contemporaryceramics, #santafeart, #garthclark, #petersprojects, #art, #kukulivelarde, #contemporaryperuvianart
La obra de Kukuli Velarde es profundamente personal, no porque se componga de claves subjetivas e indescibrables, más bien al contrario: como la de cualquier persona, la vida de un artista se compone de un bagaje que afecta y condiciona, o al menos influye, cada aspecto de su vida o […]