By Deborah KriegerNovember 25, 2018 Deb Krieger takes an early tour of The Complicit Eye, lauded ceramicist Kukuli Velarde’s first major solo show of paintings in Philadelphia. This provocative body of work, on view at Taller Puertorriqueño through April 30, 2019, reveals Velarde’s long-standing use of self-portraiture as a mode of […]
About The Work
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by By LEAH OLLMAN As satire, Kukuli Velarde’s work is both outraged and deliciously outrageous. The Peruvian-born, Philadelphia-based artist co-opts the forms of pre-Columbian ceramics to issue a postcolonial manifesto about identity and integrity. “Plunder Me, Baby,” her show at the American Museum of Ceramic Art in Pomona, is withering […]
Reviewed by Christopher Michno Plunder Me, Baby—sounds like an invitation, but an invitation to what? There’s irony aplenty in that title and it leaves a sickening aftertaste, as it’s meant. Kukuli Velarde’s trenchant and caustically humorous ceramic sculptures fix within their sights the conquest—both cultural and corporeal—of Latin America. This […]
Peters Projects Thursday, February 9, 2017 at 3:59 PM ESThttps://vimeo.com/203354499 #petersgallery, #contemporaryceramics, #santafeart, #garthclark, #petersprojects, #art, #kukulivelarde, #contemporaryperuvianart
La obra de Kukuli Velarde es profundamente personal, no porque se componga de claves subjetivas e indescibrables, más bien al contrario: como la de cualquier persona, la vida de un artista se compone de un bagaje que afecta y condiciona, o al menos influye, cada aspecto de su vida o […]
Peruvian Kukuli Velarde confronts racism with striking ceramics based on historical works. By ALICE THORSON The Kansas City Star Print :11/24/2013 Peruvian artist Kukuli Velarde is haunted by a childhood memory of her 16-year-old nanny, Lorenza. “I don’t speak Quechua, ” Lorenza declared, and tried to hide her accent and […]
by Miriam Roger
Written by Doug McClemont
Written by Janet Koplos
Written by Robert Coolodge Morgan